Welcome the class!
Move chairs and tables away so we can have an open space. (If we are in the MOA then use an open area). Have everyone sit down on the floor like in an elementary school. Talk about James Mollison's work and look at images of his playgrounds. Discuss what a playground means to everyone.
Have everyone stand up and play music. Invite people to mingle and walk about. Have balls and jump rope out for use. After 10 minutes stop the music and have everyone pause where they are. Someone will take a photograph of our scene in the same way James Mollison's work embodies.
Talk as a group for 15 minutes about how play can change perspective for students and teachers. Discuss how to incorporate learning by play into the classroom.
Jump rope and play for the next 15 minutes!
3.20.2017
3.13.2017
Olivia Gude response
I loved reading of Gude's work. I liked her idea that creativity is fostered in psychological freedom. It feels like her ideas are new and fresh! In her Project and Activity Plans, she quoted, "Good art projects encode complex aesthetic strategies." Love this!
It feels like students can engage in creating art when they feel like their environment is safe and centered on their success. Her Post-Modern Principles are very fascinating to read through. I think that incorporating postmodern views in the classroom can facilitate excellent art making. I included some ideas about them in my curriculum. Her ideas on Playing, Creativity, Possibility too. I liked the ideas on creating art by getting loose and letting go a bit. I believe that I do the best in creating art when I let go of the art piece. I love taking the pressure off of myself when creating. I want to enable my students to do the same and to feel the same. Art is a lot about problem solving and if students feel safe and challenged at the same time-they can solve problems better with more confidence. With these principles as well as her other ideas, I plan to merge new ideas with old traditions.
With the Post Modern principles I believe in merging the two lists as one and incorporating old wisdom like composition, harmony and balance with new process like juxtaposition, layering and remixing. I believe that these postmodern principles can ignite a natural creativity in my future students. These standards can be drawn from pop culture, current events, past experiences and present feelings. Students should be introduced to relevant contemporary art. When I incorporate these new ideas into my classroom I can have more success!
2.14.2017
Chapter 5 Questions
1. How do we know what our students know about the topics we plan to address?
I can ask my students questions and investigate what their knowledge level is. Before I can teach them what I want them to know, I need to know exactly what they already know. This way I can have a foundation to start with and build their knowledge on what they already know. I can have them write down everything they know about the subject in a list.
2. How would you go about teaching for “deep understanding”?
In my classroom I will have many different strategies for students to gain deeper understanding. I will incorporate different activities that stimulate different parts of the brain. I will teach in many different learning styles such as, kinesthetic, visual, auditory, linguistic, scientific, logical, etc, so all of my students can be reached.
I will also promote self reflection. As teachers it can be extremely helpful to guide students in discovering how they learn best. Students should be aware of their own learning style and what can help them learn the best. I should share information in as many ways as possible in order to helps students find their strengths and weaknesses.
3. How would you teach for student relevance?
Seeking significant and relevant connections to the larger world can deepen interpretation and remind students that artworks are produced and exist within a social context." pg. 45 Rethinking Curriculum.
By basing art curriculum on key understandings, those understandings will become the primary focus of the lessons. Students will feel like their curriculum is relevant to their lives and will want to explore more ideas!
I would incorporate student lead discussion, student sharing techniques and student collaboration. When students are given more responsibility then they connect it to their lives. I can engage students in the lessons by assigning them projects and presentations. These can be group based or solo. Students can learn more information when they study and research it intensely.
When students have to give presentations they are usually self motivated to know everything they can about the subject. This helps them become more familiar and knowledgeable about their given subject. I can also ask students what they are interested in and students can vote on what subjects they want to incorporate into the lesson plan.
4. How might teaching for student relevance be a ridiculously bad thing?
If I solely teach for student relevance then the lessons might not be as knowledge based. If I cater too much to the wants of my students then I put the power into their hands instead of being a guide for their knowledge. I think that students do need a personal connection to the material in order to have the motivation to learn. But I don't think that I will cater extensively to their wants. I will try to have a balance of engaged learning and student interest.
5. For the unit you are envisioning, what will be your “entrance strategy”?
I could use strategies like games, acting, or add some mystery to the unit introduction. If the students are engaged during the opening dialogue then they'll be more interested in the lesson. I want to have a mysterious opening exercise so that students will be engaged and interested. I want them to be curious enough about the activity so that they stay engaged. For an example I could arrange some items like readymades in the middle of the room in order to show students some physical objects from the Dada period. I could also have some photos on the projector showing images of modern art to show students the versatile examples of art.
6. In an inquiry based, constructivist approach, a key question is “What does that mean? What are some other ways that you can ask that question?
-How does this relate to you and your life experiences?
-What does that mean to you personally?
-What do you think the artist intended?
-Why do you think the artist made these choices?
7. As art teachers, we often pose artistic problems for our students, defining the constraints that we hope will cultivate divergent, creative solutions. How do you plan to have students become researchers and pose their own creative problems?
In my classroom I want all students, introverts and extroverts, to participate in discussion and activities. Part of their grade will be based on active and engaged learning. I want students to help teach and lead discussions in the classroom. They need to be responsible for their own learning, I cannot force any learning upon them. I want them to know that their learning is their own obligation. This accountability is an excellent attribute for students to learn and develop for themselves.
I believe in teaching my classroom according to the democratic approach. The Democratic approach combines firm rules with respectful adherence. It incorporates a healthy level of autonomy. This approach teaches students responsibility and self reliance. My class rules will be clearly stated with punishments clearly understood. Students are held accountable for their actions in the
8. At this early stage in your unit, how do you envision the sequential organization of learning experiences or activities? Make a list of what you plan to do in sequence.
-Begin with a mysterious opening activity such as students analyzing art objects in the middle of the room to find out how they are connected to the lesson.
-Have students listen to a short lecture about the topic we are learning that day.
-Give the students a small opening activity correlated to the lesson.
-I hope to utilize nature in my student’s learning. I hope to take my students on nature walks and have them observe the world around them and connect it to art. Participating in a fun environmental art lesson can be a great and memorable learning experience for my students.
-Create a Class competition. When this is done appropriately it can actively engage the learners. Students can split up into teams, either divide the class evenly or students can select the people in their group. They can participate in timed activities like creating a tallest clay sculpture. They can list as many artists that they can recall. They can draw the most realistic object as a team. And after these tests they can compete against each team to move onto the next round of contests
-I can create a museum in our classroom by hanging student’s art pieces around the room. Students can then do a gallery walk and observe their peer’s works. Using the art criticism technique with the five senses I will have students analyze different art pieces to better understand them. After critically analyzing an art piece students will feel as if they know the art piece better and more intimately. They will feel more engaged with their chosen piece.
-In a museum setting they also gain confidence in describing the history, aesthetics and meaning of their piece.
9. How will you determine if what you are doing is working? What counts as evidence of learning for you?
I will have rubric sheets with numbers grading the student's sketch work, homework, and final projects. I will also have critiques with students to help them improve their pieces or be inspired for upcoming assignments. I will also evaluate student's motivation and effort in these processes.
10. What are the learning goals for your unit? What kinds of understandings are you reaching for in these goals?
Learning Goals:
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